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Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at 90s Rave Culture

Helmed by Portishead co-founder the musician-producer, this scabrous though slight first film casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, determined to dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

There is only one important plot development, but it leads to a comically executed chaotic run on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game releases in UK and Irish theaters from November 17.

AM
The writer

Amy Morris

Elena Vance is a tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on modern businesses.

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